In a February end of year Werkschau, in the local (and famous) design school, I walked by a design which coincidentally quoted dance, dance, dance. It didn't take much for me to realise this was special. I reached out to the designer, who had the most interesting things to share. Here's more in conversation with Yumiko Nishibori, because talented people are inspirational :-)
Warning: Long post with pictures, but isn't editing beauty a listed crime?
Q TFSM: We noticed that you have a psychology background before studying design. We thought that was interesting. How does it help in the design process?
Yumiko: I'm still interested in Psychology and I like thinking about some issues in a psychological and philosophical way. But I haven't yet put any psychological issues into my design in purpose. I always try to think about my concept very deeply and in doing so it maybe helps me for I'm familiar to some psychological terms and phenomena.
Q TFSM: How did the Murakami inspiration come about? How do you feel about your interpretation now after designing the line?
Yumiko: I have been reading Murakami since I was 14 and I've read his work ever since over and over again, but I never get bored. I discover hidden corners in his stories or I read the stories from a different point of view. No other novelist had influenced me so much than Murakami. So it was quite obvious that I chose Murakami as a part of my thesis. I like the result very much. It's my personal interpretation of Murakami. So I was happy as many Murakami-readers liked my work. For me, it was the best compliment I could ever get.
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| More- http://yumikonishibori.foliohd.com/ |
Q TFSM: How do you combine the cultural influences of Japan and German languages/ culture in your design?
Yumiko: I guess it happens automatically though I usually don't mean to put something Japanese in my design. In the past, I thought I'm more German than Japanese because I've grown up in Germany. But in the meantime I have been always linked to current Japanese culture such as music, TV-shows, Manga, etc. Besides, I had read Murakami only in Japanese before and as I tried to read his work in German (because I had to write my thesis in German) - I have to confess - it felt quite strange. I also notice that I'm thinking Japanese in some cases then switching to German, then to Japanese again, and so on. I guess I'm still very ambiguous in matters of my cultural identity.
I would always wonder how artists would be so liberal, and creative and be able to use different mediums for expression. Just interacting with Yumiko and re-reading his thoughts made me realise, how beautiful it is to be able to extend interesting personal settings and influences into work and make the process and the output remarkable.
